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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Jusepe de Ribera
1591-1652
Spanish
Jusepe de Ribera Galleries
Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy.
In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces.
Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s. |
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Jusepe de Ribera
Mary Magdalene in the Desert
1640-41
Oil on canvas,
226 x 181 cm
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Jusepe de Ribera
An Old Money-Lender
1638
Oil on canvas,
76 x 62 cm
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Jusepe de Ribera
The Martyrdom of St Andrew
1628
Oil on canvas,
209 x 183 cm
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Jusepe de Ribera
Apollo and Marsyas
1637
Oil on canvas,
182 x 232 cm
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Jusepe de Ribera
Magdalena Ventura with Her Husband and Son
1631 Oil on canvas, 196 x 127 cm
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Jusepe de Ribera
St Sebastian Tended by the Holy Women
1621 Oil on canvas, 180,3 x 231,6 cm
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Jusepe de Ribera
Marsyas flas
mk234
183x234cm
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Jusepe de Ribera
The Holy family
mk244
253x196cm
1639
Oil on canvas
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Jusepe de Ribera
St Albert
230 x 170 mm British Museum, London Throughout his career, Ribera was an avid draftsman in pen and ink and in red chalk, and the chalk drawings in particular evince the approach of an artist trained in an Italian workshop. In this study of St Albert Ribera solves a problem of figure drawing with an ease that is rarely matched by Spanish painters of the period. The technique is Italianate as well: thin, closely spaced lines and soft shadows are used to delineate the body and musculature
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Jusepe de Ribera
hans atelje.
sankt bartolomeus. 1644.
olja pa duk
se
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Jusepe de Ribera
magdalena ventura
se
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Jusepe de Ribera
Saint Matthew
oil on canvas painting by Jusepe de Ribera
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Jusepe de Ribera
Jakobs Traum
Date 1639
Medium Oil on canvas
Dimensions ??
cyf
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Jusepe de Ribera
San Jeronimo
1644(1644)
Medium Oil on canvas
Dimensions Deutsch: 109 x 90 cm
cyf
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Jusepe de Ribera
Hieronymus
1629(1629)
Medium Oil on canvas
Dimensions 125 x 100 cm
cyf
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Jusepe de Ribera
Bende Magdalena Magdalena penitente
oil on canvas
Dimensions 97 x 66 cm (38.2 x 26 in)
cyf
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| Jusepe de Ribera
|
1591-1652
Spanish
Jusepe de Ribera Galleries
Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy.
In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces.
Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.
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